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  <title lang="lav">Ābols upē</title>
  <dateCreated>1974</dateCreated>
  <description lang="lav">&lt;p&gt;Režisors Aivars Freimanis, operators Dāvis Sīmanis, 74'&lt;/p&gt;
&lt;p&gt;Lomās: Akvelīna Līvmane, Ivars Kalniņ&amp;scaron;&lt;/p&gt;
&lt;p&gt;Rets gadījums Latvijas kinovēsturē &amp;ndash; spēlfilma, kas uzņemta ar dokumentālā kino paņēmieniem. Tā stāsta par Zaķusalu &amp;ndash; &amp;bdquo;veco laiku" dzīves modeļa saliņu strauji augo&amp;scaron;ās urbānās Rīgas vidū; tomēr apkārt bangojo&amp;scaron;ā industrializācija nenovēr&amp;scaron;ami ielaužas arī Zaķusalā. Pamatā filma ir vides vērojums, galvenie varoņi &amp;ndash; Janka un Anita &amp;ndash; ir tikai notikumu katalizatori, taču pamazām uzmanības centrā nonāk arī viņu mīlas stāsts.&lt;/p&gt;
&lt;p&gt;Filmas uzņem&amp;scaron;anas laikā režisors Aivars Freimanis ir jau pieredzējis dokumentālists, viens no vēlāk slavenā poētiskā stila pamatlicējiem, un arī stāstu par Zaķusalu viņ&amp;scaron; kopā ar līdzautoru Dāvi Sīmani sākotnēji iecerēja tie&amp;scaron;i kā dokumentālo filmu; spēlfilmu pieredzes abiem autoriem nebija. Tomēr, virknējot dažādas epizodes Zaķusalas noslēgtajā pasaulītē, izkristalizējās nepiecie&amp;scaron;amība pēc kopējās dramaturģijas, un režisors pieaicināja divus jaunus, skatītājiem vēl nepazīstamus aktiermākslas studentus, ļaujot viņiem bez scenārija improvizēt &amp;bdquo;dotajos apstākļos". Rezultāts ir harmoniska dokumentalitātes un aktierkino sintēze, patiesa un nevainīgi tīra laikmeta skice, kuras autori patstāvīgu meklējumu ceļā nonāku&amp;scaron;i sava laika pasaules kino avangardā.&amp;nbsp;&lt;/p&gt;</description>
  <description lang="eng">&lt;p&gt;Director Aivars Freimanis, cinematographer Dāvis Sīmanis, 74'&lt;/p&gt;
&lt;p&gt;Main Cast: Akvelīna Līvmane, Ivars Kalniņ&amp;scaron;&lt;/p&gt;
&lt;p&gt;A feature film made with documentary film techniques &amp;ndash; a rare case in Latvian cinema. &lt;em&gt;Apple in the River&lt;/em&gt; tells about Zaķusala, a literal island of the "old life" in the middle of rapidly growing Riga. However, the surrounding industrialisation inevitably encroaches into Zaķusala as well, and the film revolves around the examination of that environment. The main characters, Janka and Anita, are only catalysts for the events depicted, although gradually their love story comes to the fore.&lt;/p&gt;
&lt;p&gt;By the time he made this film, director Aivars Freimanis was already an experienced documentary filmmaker and a founding representative of the famous Latvian School of Poetic Documentary Cinema. He and cinematographer Dāvis Sīmanis had hoped to make this film about Zaķusala a documentary; neither had any experience in creating fiction films. However, as they strung together various episodes filmed in the insular little world of Zaķusala, the need for a uniting story emerged, and Freimanis invited two still-unknown acting students to join the project, allowing them to improvise "in the given circumstances" without a script. The result is a harmonious synthesis of documentary and dramatic cinema, a genuine and innocently pure sketch of an era whose creators arrived at the avantgarde of cinema in their independent search for an artistic path.&lt;/p&gt;</description>
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  <alternativeTitle lang="rus">Яблоко в реке</alternativeTitle>
  <alternativeTitle lang="eng">Apple in the River</alternativeTitle>
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