Divām māsiņām, Martai un Lindai, uz mēnesi vajadzīga aukle, jo tētis pelna ģimenei naudu Anglijā, bet mammai jābrauc uz kursiem pilsētā. Aukle Una vairāk nodarbināta ar savas privātās dzīves problēmām, tāpēc meiteņu audzināšanai izvēlas vienkāršāko metodi – komandēšanu. Martai neatliek nekas cits, kā apgūt lielās kompromisa mākslas noslēpumus, un jaunā rīcības taktika atklāj brīnumu lietas.
Režisors Varis Brasla varbūt vislabāk Latvijā prot strādāt ar mazajiem aktieriem, filma Ūdensbumba resnajam runcim ir viņa atgriešanās ģimenes filmu žanrā pēc vairākām spožām un skatītāju mīlētām filmām 80. un 90. gados. Arī Ūdensbumba resnajam runcim saņēma Nacionālā filmu festivāla Lielais Kristaps Skatītāju balvu un vēl vairākas citas, turklāt pēc ilgāka pārtraukuma pulcināja kinoteātros ievērojamu skaitu kinoskatītāju, kas gandrīz jau bija pārstājuši apmeklēt Latvijas filmas.
Two sisters, Marta and Linda, need a nanny for a month because their father is earning money for the family in England and their mother needs to attend courses in the city. The new nanny, Una, is more interested in her own private life, so she chooses the most simple way to look after the two girls – by ordering them around. Marta has no option but to learn the secret of the art of compromise, and her new tactic yields amazing results.
Varis Brasla, the director of Waterbomb for the Fat Tomcat, is possibly the most talented director when working with young actors. With this film, he returned to the family film genre after a number of successful and well-loved films in the 1980s and 1990s. Waterbomb for the Fat Tomcat received the Viewer's Choice Award at the Lielais Kristaps National Film Festival as well as a number of other awards, and after an extended break it managed to attract film viewers to the cinema, in particular those who had almost stopped attending Latvian films.
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